The magical world of Mary Katranzu

Last season, Mary Katranzu shocked the audience with a collection that excluded all prints. Everything. And this despite the fact that prints have always been the basis of her work.

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Last season, Mary Katranzu shocked the audience with a collection that excluded all prints. Everything. And this despite the fact that prints have always been the basis of her work.
However, from this her autumn-winter collection, which now hangs on store hangers, has not become less vivid and spectacular. On the contrary, incredibly complex embroidery, self-made lace and jacquard fabrics evoke as much emotion as prints did before. It becomes clear: the girl intends to develop further.
The 2015 Summer Collection demonstrates this commitment to new horizons. The show in London began rather modestly: shiny tops with transparent inserts and trousers with arrows, a long silk pink dress with pleating. Then short dresses with lace, on which thin snakes are interwoven with each other. Again lace, which this time resembles a pattern on python skin. Reptiles, corals, delicate mint, sparkling surfaces ... all these elements create the image of a sea nymph who fascinates with her melancholy. Models walked along black gravel to the sounds of violins.Fairy-tale images are rampant on dresses: iguanas with human legs and ballerinas with bird heads.
Mary Katranzu again turned to the magical world. Only this season, he became even more fragile and tender. In any case, Kirsten Owen, who was the last to enter the podium, looked as if she was about to come off the ground and dissolve in the air. As if she is Fata Morgana, caused by the will of Mary Katranzu.
Photo: lesmads. de
Material prepared Daria Ulumbekova
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Watch the video: Mary Katrantzou answers The Sabine Questionnaire. Tatler UK (December 2024).